A Musician of the World

From mechanical engineering to composing for the Philharmonia Orchestra, Austin Leung has been traversing new territories since his early student days in Hong Kong. In this blog he shares with us what he learned from the RPS/Philharmonia Composers’ Academy, and why world music matters to him.

Eugene Birman, Freya Waley-Cohen, Unsuk Chin, Austin Leung after the Philharmonia/RPS Composers’ Academy culmination concert at Southbank Centre.

 

“World music is a kind of cultural heritage which, like a capsule, stores the history of different communities and regions. By incorporating the genres into new works, we can give a renewed value to history in our current generation. From this we get the feeling we’re crossing boundaries and space-times, bringing people together who have existed throughout the ages into a piece of work.”

As I write this, I cannot believe that my time in London is coming to an end. I came to the city two years ago to do an MMus at the Royal Academy of Music – my first time ever studying abroad. Back in Hong Kong, where I was still an Engineering student, the idea of leaving my country for my studies had never even crossed my mind. Like everyone else, I wanted to graduate from a local university, find a steady job and basically “survive”. The purpose of studying was never about gaining new knowledge for the sake of it, but for finding a better job and having a nice, easy life. However, after I discovered music in my second year of my undergraduate degree, everything changed. My whole outlook to life shifted and, fast forward a few years, I found myself in London.

Continue reading “A Musician of the World”

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